Select the number of copies that you want to write Select the writing speed from the Speed pop-up menu If you want to bypass the Master Section, activate Bypass Master Section. In the CD window, select Functions > Write Audio CD or DDP.įrom the Device pop-up menu, select the writing device that you want to use. Optional: In the CD window, select Functions > Check CD Conformity to check that all settings conform to the Red Book standard. I haven't seen this as a overall problem on the Wavelab Forums for 10 at all, but I did see issues from individual users in earlier versions: Procedure
Mastering wavelab vs dsp quattro software#
The Kush EQs are fairly clean though Hammer seems to add a little love.Īre you saying the procedure below in the software is not working? If I need a touch more sauce it'll probably come from those plugs. Basically the Kush saturation and compression is all vibe stuff. The only things that are really always there are the ReaEQ, JST Clip, and, Event Horizon, Vlad Limiter, and the analysis stuff. Youlean Loudness Meter to check RMS/Lufs.
Vlad's Limiter No9 just to make sure I have inter-sample-peaks sorted out and possibly a touch of a different sounding limiter and clipper (the ISP limiter is at the end). If I'm mixing I'll probably handle that big transient stuff in the mix but what I get from mixers is a crapshoot. It just depends on what I'm trying to do. SOMETIMES it'll go before the compression. Every now and then the Boz Digital Labs +10db strip is the right choice here instead. Cleaner compression would come from the Focusrite Red 3 plugin. Kush's Novatron or AR-1 for compression if necessary. This decision is typically made before the EQ choices. One of the Kush Omega plugs if I need some more tonal shape and saturation. Most likely to be the Hammer but is sometimes Electra or Clariphonic. ReaEQ for any hpf or notching that needs to happen.Ī Kush EQ for tonal shaping. My processing in Reaper is something like this: I add metadata and export DDP, individual. I do all my processing in Reaper then export the entire record as a single. I prefer to build up a chain and adapt/grow over time if it is any good it would do the same thing as for everyone else so killing my originality and 2. I would be wary of a plugin that does "mastering" for two reasons. but I am likely to have already used it in the mix on whatever elements were bothering meĪll the above is my starting point so I would use depending on how the mix had turned out. If a track is still a bit peaky on the top end I might add Soothe. it just brings things forward a bit nicelyįF L2 to bring up to -10LUFS (I generally bounce my mixes (through summing) at the mixing stage without trying to get loud and concentrating on tone and balance) UAD SHMC mostly on the "Medium Program Material" preset. Maag EQ to add the air band, sometimes that 3.2k shelf aswell FabFilterQ3-> UAD Maag EQ -> UAD Shadow Hills Mastering Compressor -> FabFilter L2įF Q3 for high pass at 30 or 40Hz, mono-izing bass, sometimes low shelf cut of a db or two at 80 and below
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